Yes, that is what the reviewer at Shiny New Books, said about my essay "The Rainmakers Flood." One of the editors of the British site Shiny New Books, also said other fine things like this: "But a brief outline of the plot of this essay doesn’t do it justice. It’s a charmingly interwined rope of connected ideas – snow, mud, rain, damage in its various forms, including war, the seductive beauty of science, the recalcitrant and yet unexpectedly fragile environment."
This fall, I had the luck and honor to get to go to Qatar and teach and give a lecture as part of VCU Qatar's Crossing Boundaries series. I got to take people on a journey from my office and the kingfisher in the stream behind it and talk about art, theft, war, drones, the landscape, snow and curiosity. It was a voyage from rural upstate New York through all the things that fascinate me. Oh and if you click the link, the cutout photo in the Gulf Times makes me look like I've got a halo...
In Anand Holla's interview with me about writing and essays in the Gulf Times he writes, "For American essayist-writer Jennifer Kabat, writing is the definitive means to process the world. The fact that she is exceedingly good at it merely stokes the fire of her unwavering fascination and deep-running curiosity for subjects that range from rural life to contemporary art — and occasionally, as Kabat puts it, 'the two together.'" You can read it here.
Ellie Ga makes visual essays. They interlace myth, history and journeys, personal and profound. As she explores ideas she'll travel to the literal ends of the earth, get lodged in ice in the Arctic for months, learn to dive to try to find the world's first lighthouse. The work ends up being profound meditations on time, place, work, language all held together by her hypnotic voice ...I write about her for the October issue of Frieze:
In Frieze, I review the two Guerrilla Girls' anniversary shows. The Guerrillas' do work that has changed how we see art, and I lament how little space the shows get, relegated to a corridor and a basement. And talk about what this means for art now:
So not only am I on the longlist (see below) but I am one of six finalists. Which is very, very thrilling. And this is what they have to say about my essay "The Rainmaker's Flood":
The Rainmaker’s Flood – Jennifer Kabat
A fascinating account of human attempts to manipulate weather. Kabat explores the botched history of weather-making, from Kepler’s theories to the use of acid rain by the US military as a weapon of war in Vietnam. A compelling scientific investigation into dust, snow, ice, weather and war.
‘ “What’s worse,” one State Department official said that July, “dropping bombs or rain?”. The answer, I know, might be obvious, but when that rain included lead, and lead led to lead poisoning and potentially poisoned everything that water fed: rice, fish, plants, people….’
You can read more here on their site... The winner is announced October 3rd and all the finalists are published together in Notting Hill Editions' stylish cloth-bound hardbacks...